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This paper examines the evolution of popular video entertainment in Indonesia from the 2000s to the present. It argues that a significant shift has occurred from state-influenced, nationally-broadcast television dramas ( sinetron ) to decentralized, user-generated content on platforms like YouTube and TikTok. By analyzing three key eras—television hegemony (2000–2015), the rise of YouTube creators (2015–2020), and the algorithmic short-video boom (2020–present)—this paper identifies persistent themes (family conflicts, Islamic pop culture, local humor) alongside new phenomena (micro-celebrity, digital gotong royong , and platform-driven moral panics). The study concludes that Indonesian popular videos remain deeply rooted in local social hierarchies and religious norms, even as their production and distribution have become radically democratized.