-tushy- Yukki Amey - Strangers On A Train -103149- 'link' -

Not in the medical sense, Yukki Amey decided, but in the gravitational sense. Every time the regional train lurched around a bend—which was often, given the neglected state of Line 103149—he would shift, recross his legs, and his backside would seek the path of least resistance, which was invariably the armrest of the empty seat beside him.

title, the production leverages the audience's familiarity with the original's tension. In the Hitchcock version, the meeting of two strangers leads to a "trade" of lives and crimes. In the Yukki Amey feature, the "trade" is less about murder and more about the exchange of her public-facing persona for a private, uninhibited version of herself. The use of the train as a setting reinforces themes of: Transience : Identities are fluid and temporary while in motion. -Tushy- Yukki Amey - Strangers on a Train -103149-

: 103149 (This is the specific scene or production code used by the studio). Not in the medical sense, Yukki Amey decided,