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| Character | Role | Characteristics | Evidence/Significance | | :--- | :--- | :--- | :--- | | | Protagonist / Grandfather | Wise, firm, spiritual, artistic. He is the guardian of tradition. He believes puppets have souls. | He refuses to sell the puppet to the rich man, showing he values art over money. | | Johan | Son / Middle Generation | Pragmatic, realistic, concerned. He represents the modern struggle of making traditional art profitable. | He tries to convince his father to sell the puppet, citing financial needs. | | Tuah | Grandson / Future Generation | Inquisitive, respectful, potential heir. He represents the continuity of culture. | He asks questions and observes the craft with fascination, showing he has the "soul" of a dalang. | | The Trader | Antagonist (Minor) | Materialistic, wealthy. Represents the outside world that views art as a commodity. | Offers a high price for the puppet but lacks understanding of its spiritual value. |

: Explain how the book functions as a "hybrid". It starts as 11 seemingly disconnected stories (labeled as "Buku"), but gradually reveals itself to be a cohesive novel. tiga dalam kayu pdf better