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Prestige, fame, and "consecration" (being recognized as a "true" artist).
: The internal "feel for the game" acquired through social background. Cultural Capital the field of cultural production bourdieu pdf better
He argues that a work of art is not a product of the individual creator, but of as a whole. The "creator" is merely the surface manifestation of a complex network of publishers, gallery owners, critics, academics, and other artists. Prestige, fame, and "consecration" (being recognized as a
If you have university credentials, downloading chapters individually often yields the cleanest, most "searchable" files. The "creator" is merely the surface manifestation of
This dynamic explains the rapid succession of artistic movements in the modern era. The avant-garde does not seek to take the place of the established masters within the existing game; they seek to change the game itself, redefining the criteria for what counts as valid art. Once the avant-garde succeeds, they become the new consecrated class, eventually facing a new generation of challengers.
Key concepts introduced or refined in this volume include: