: The track is available on Gaana and other music platforms under the movie title Julie .
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This paper analyzes Sonu Nigam’s rendition of Kal Ho Naa Ho (2003), focusing on the pivotal line "Tere khayalo mein, teri hi yaado mein" as a case study for understanding how vocal nuance, melodic phrasing, and lyrical repetition construct a state of immersive longing. We argue that Nigam’s delivery transforms the mukhda into a sonic metaphor for obsessive love and anticipatory grief. Through spectrographic analysis (conceptual) and literary deconstruction, the paper reveals how the song’s MP3 compression artifacts ironically enhance intimacy for digital listeners. : The track is available on Gaana and