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Critical scholars may argue that platforms like OnlyFans simply extract value from precarious labor under digital capitalism. However, Davies’ case suggests a more nuanced picture. She retains ownership of her content, sets her own prices, and curates her audience. Compared to a studio contract, she exercises greater autonomy. Yet the platform still takes a 20% cut, and algorithm changes can devastate income. Thus, her career represents conditional empowerment —agency within constraints.