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Antonio’s workshop serves as a micro‑cosm of the declining artisanal sector in Spain. The novel foregrounds the tension between trabajo manual (manual labor) and trabajo intelectual (intellectual work) embodied by María. The encroachment of a multinational retailer illustrates the neoliberal pressures on small‑scale producers, resonating with the scholarship of on post‑industrial Spain. la hija del sastre book pdf google drive