Mientras que la obra original de 1499/1502 puede resultar densa por su estructura de 21 actos y su vocabulario arcaico, la versión de Alonso selecciona y adapta el contenido para que el "choque" con el clásico sea menos árido para el lector actual.
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Celestina, the titular character, is a masterful creation of Rojas'. She is a cunning and manipulative procuress who preys on the vulnerability of young lovers like Calisto and Melibea. Alonso notes that Celestina's character serves as a commentary on the social ills of Rojas' time, including the commodification of love and the objectification of women (Alonso, 2019, p. 45). Celestina's machinations drive the plot of the novel, as she weaves a web of deceit and manipulation that ultimately leads to the downfall of the two lovers. Through Celestina's character, Rojas critiques the societal norms of his time, highlighting the ways in which women were objectified and exploited. Mientras que la obra original de 1499/1502 puede