: Chan voices Master Monkey in this massive commercial success; Kung Fu Panda 2 was the highest-grossing animated film of 2011. Top Rated Films (by Critical Consensus)
Finally, the late-career entries— Kung Fu Yoga (2017), Vanguard (2020), and Ride On (2023)—form a coda of reflection. While critically mixed, these films are thematically crucial. They are not attempts to replicate the stunts of a 30-year-old. Instead, they explore legacy, the passing of the torch, and the toll of a life lived for the camera. Ride On , in particular, is a meta-narrative about an aging stuntman, and it only has meaning if one has followed the full arc of Chan’s list from the beginning. The outtakes in these later films no longer show raw ambition; they show a master grateful to still be standing. jackie chan film list
Jackie Chan ’s filmography is a massive collection spanning over six decades and more than 150 films. His career evolved from a child actor and stuntman for Bruce Lee into a global icon of "action comedy," a genre he pioneered by blending dangerous stunts with slapstick humor. : Chan voices Master Monkey in this massive
: Co-starring Michelle Yeoh, this high-octane entry in the Police Story series is highly rated for its blend of hand-to-hand combat and breathtaking vehicle stunts. They are not attempts to replicate the stunts
The golden era of the 1980s and 1990s represents the high middle period, where Chan perfected his theory of “physical editing.” This phase of the list—including Project A (1983), Police Story (1985), Armour of God (1986), and Supercop (1992)—is defined by a radical commitment to the real. Unlike his Hollywood contemporaries who relied on wires, green screens, and quick cuts, Chan’s films are documentaries of near-suicide. The infamous slide down a pole of blinking lights in Police Story , the fall from a clock tower in Project A , and the hang-gliding sequence from Armour of God II (1991) are not stunts but narrative climaxes built from genuine danger. Each entry on the list becomes a dare: “Can a human body do this?” The outtakes shown during the end credits are not mere gags; they are footnotes of accountability, proving that every bruise and broken bone was real. This honesty creates a contract of trust with the audience that CGI has never been able to replicate.