Deool is not a devotional film. It is a film about devotion as a commodity. If you worship at the altar of clever writing and dark satire (think Jaane Bhi Do Yaaro meets Oh My God! but grounded in rural mud), this is your holy book.
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Perhaps the most tragic "index" in the film is the social one. Before the miracle, Mangrul is portrayed as a cohesive, albeit backward, community. There is a harmony in their poverty. However, the prospect of wealth fractures this unity. Friendships are tested, hierarchies are established, and the village divides into factions. index of deool