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Unlike Bollywood’s avoidance of caste, Malayalam cinema frequently addresses it.

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Similarly, John Abraham’s cult classic Amma Ariyan (1986) used the rugged terrain of North Kerala to depict the harsh realities of caste and class struggle. In contrast, the films of Padmarajan ( Namukku Parkkan Munthirithoppukal ) turned the idyllic villages of Central Travancore into spaces of forbidden love and lyrical tragedy. Similarly, John Abraham’s cult classic Amma Ariyan (1986)

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*Scene 1: Interior. A small house

The seeds of cinema in Kerala were sown long before the first cameras arrived. Traditional art forms like (temple shadow puppetry) familiarized local audiences with the concept of projected images accompanied by music and storytelling.