This period saw the rise of directors like K. Balachander and Mahendran, who introduced realism. However, the man who redefined mass cinema was Rajinikanth. From Billa (1980) to Baashha (1995), Rajinikanth’s filmography transformed style into substance. Simultaneously, Kamal Haasan was delivering intellectual masterpieces like Nayakan (1987) and Indian (1996). The 1990s also witnessed the debut of A. R. Rahman, whose soundtrack for Roja (1992) globalized Tamil music.
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If you ask any Tamil millennial to name their “first theatrical experience,” chances are it’s a Rajinikanth or Kamal Haasan film. This period saw Tamil filmography mature into two distinct streams: the and the art-house mainstream .
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One evening, his colleague Meera asked, “You haven’t seen Nayakan ? Ravi, we need to fix this.”